This new system allows us to enable sophisticated interactions from a single touch of a knob, including the ability for Omnisphere to automatically switch interface pages, recall entire FX racks, assign multiple scaled parameters and even instantly create complex modulation matrix routings on-the-fly! This new development system also allows us to add new profiles for new hardware synths in the future. Under the hood, our development team has carefully designed unique “Hardware Profiles” for each supported hardware synthesizer, making the special features of that synthesizer work seamlessly with Omnisphere by translating MIDI messages from the hardware into satisfying sonic results in Omnisphere.
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On the technical side, the new Hardware Synth Integration feature in version 2.5 goes far beyond the typical “MIDI Learn” approaches that most software synthesizers employ. The supported hardware synths cover a wide range of types and price ranges for different types of users.
The initial release officially supports over 30 popular hardware synthesizers from Moog®, Dave Smith Instruments®, Roland®, Korg®, Novation®, Nord, Access, Studiologic, Sequential® and more to come. This remarkable innovation bridges the physical experience gap between software and hardware, giving users intuitive control of Omnisphere by using the familiar layout of their supported hardware synth.
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Simply put, this ground-breaking new feature makes using Omnisphere feel just like using a hardware synth! The extensive new FREE update also features a newly announced hi-resolution interface, support for Windows Multitouch, new Granular Synthesis capabilities and a stunning new sound library of over 1000 brand new sounds, bringing the total number of included sounds to over 14,000.
With the new version 2.5, Omnisphere becomes the first software synth in the world to offer a Hardware Synth Integration feature, which transforms over 30 well-known hardware synthesizers into extensive hands-on controllers that unlock Omnisphere’s newly expanded synthesis capabilities. We are happy to announce the release of a major update of our flagship software synthesizer, Omnisphere®. Both of these instruments let the user synthesize highly realistic sounds, thanks to the physical modeling of acoustic sound-generation, but those sounds don’t necessarily have to emulate actual instruments-for more creative applications, the modeling tools can be used to create very acoustic-sounding instruments that don’t-maybe couldn’t-actually exist in the real world, but sound (and play) like they do! Physical modeling technology is widely used nowadays for processing-component modeling is routinely employed to simulate the circuit path of classic analog hardware, including synth components like oscillators and filters-and it’s gradually being applied more to instrument design. AAS’s modeling collection includes instruments that put these kinds of tools to use emulating strings, guitars, electric pianos, and even analog synth circuitry, but the two I want to mention are Tassman, a general-purpose physical-modeling synth, and their latest, Chromaphone, which is dedicated to modeling all manner of percussive sounds.
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